آه يا ظالم

Prompt

Authentic Yemeni traditional romantic song, emotional Yemeni male vocal, Yemeni dialect, Yemeni melody, expressive and heartfelt singing, strong emotional connection to every word, clear Arabic pronunciation, natural Yemeni accent, sing the lyrics exactly as written, preserve the original lyrics without changing, adding, removing, or repeating lines, carefully follow the meter and phrasing of the lyrics, stretch emotional vowels naturally, emphasize words of pain, longing, reproach, and love, gentle vocal dynamics in the verses, powerful emotional delivery in the chorus, call-and-response feeling between the voice and instruments, oud, Yemeni qanbus, sahn percussion, marwas, traditional Yemeni hand claps, authentic Yemeni rhythmic patterns, warm acoustic live performance, slow-to-mid tempo around 84 BPM, melancholic and intimate verses, hopeful emotional ending, no Western pop, no rap, no electronic instruments, no exaggerated autotune ,, Lyrics text [Verse 1] أريد تسمعني وتفهم قبل ما تحكم اشرح لك أسبابي لو كنت مش فاهم هذا الهوى بيننا مظلوم ما يظلم هانت عليك عشرتي آه يا ظالم [Verse 2] افهم سبب غربتي واتركني أتكلم أنا الذي كنت في إصبعك خاتم أطيع أمرك وألبيك وأستسلم نذرت لك روحي وأنت لها حاكم [Verse 3] مهما يكون الجرح في داخلي مؤلم ما يوم بقربك كان جو الهوى غائم كفاني عذاب البعد والقلب متقسم ما بين ذرات الهوى والرمل والقادم [Chorus] تعال نطفي شموع أحزاننا والهم ونزرع ورود المحبة في العالم الحالم [Outro] آه يا ظالم تعليمات النطق والأداء إذا كان لديك حقل Lyrics Instructions أو خانة وصف إضافية، أضف هذا النص: text Pronounce every Arabic word clearly and correctly in a natural Yemeni dialect. Do not swallow or merge words. Follow the exact written lyrics and preserve every line. Match the melody to the poetic meter and syllables. The singer must emotionally understand and express the meaning: reproach in “هانت عليك عشرتي”, pain in “كفاني عذاب البعد”, surrender in “وأنت لها حاكم”, and hope in the final lines. Use expressive pauses between phrases, gentle vibrato on emotional words, and natural elongation of “آه يا ظالم”. Do not rush the lyrics. Let the vocal phrasing breathe and interact with the oud, qanbus, and Yemeni percussion. The instruments should answer the vocal phrases with short emotional responses, while keeping the voice clear and dominant.